JasonB Posted May 14, 2006 Report Share Posted May 14, 2006 Link to comment Share on other sites More sharing options...
Max Kane Posted May 16, 2006 Report Share Posted May 16, 2006 That's a crazy article but very informative never knew artists could make so much from licensing, Moloko making 1.2million for sing it back just from compilations and that isn't taking into account the money made from album sales single sales and the 'anthem's comps that its on now. Must have set them up for life just by having one half decent tune and then having Francois K stumble accross it by accident. Oh and just for the record none of my mixes have ever used pro-tools Link to comment Share on other sites More sharing options...
Bjorn Posted May 16, 2006 Report Share Posted May 16, 2006 what an interesting read jason! Didn't know pro-tools was about back then Link to comment Share on other sites More sharing options...
Quadrant Posted May 16, 2006 Report Share Posted May 16, 2006 A good read, enjoyed that. lol @ Sasha taking ages to do mix CDs, must be a hard one to work with... but worth all the effort in the end for sure. Link to comment Share on other sites More sharing options...
Max Kane Posted May 16, 2006 Report Share Posted May 16, 2006 Sasha & Digweed were the first to realy capture and embrace the compilation and make it an event as the article says, have to respect them for that. Global Underground always do a good job too. Link to comment Share on other sites More sharing options...
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